Here’s today’s COMMENT FROM AN OLD FART: Moi read with interest the following article from the Daily Mail, Can tear-jerkers turn you liberal? As Good As It Gets and The Rainmaker make you soppy, says study:
Sentimental films make you more liberal, research suggests.
Political scientists found that Hollywood movies are better able to change attitudes – in a left-wing direction – than advertising or news reports.
Todd Adkins, of the University of Notre Dame in Indiana, said audiences seemed to turn off their critical faculties when they reach the cinema.
Sentimental films, such as The Rainmaker (pictured), make you more liberal, research suggests
‘Viewers come expecting to be entertained and are not prepared to encounter and evaluate political messages as they would during campaign advertisements or network news,’ he said.
Dr Adkins’ research, published in the journal Social Science Quarterly, was based on a study of 268 students who were asked about their political views, shown a film and then questioned again.
Half identified themselves as politically conservative.
Political scientists found that Hollywood movies are better able to change attitudes – in a left-wing direction – than advertising or news reports….
http://www.dailymail.co.uk/news/article-2530224/Can-tear-jerkers-turn-liberal-As-Good-As-It-Gets-The-Rainmaker-make-soppy-says-study.html#ixzz2pC6I7eaD
Moving Pictures? Experimental Evidence of Cinematic Influence on Political Attitudes†
Todd Adkins,
Jeremiah J. Castle*
Article first published online: 18 NOV 2013
DOI: 10.1111/ssqu.12070
http://onlinelibrary.wiley.com/doi/10.1111/ssqu.12070/abstract
There is a long history of movies being used as propaganda. The History Learning Site said this in the article, Propaganda in Nazi Germany:
Hitler came to power in January 1933. By May 1933, the Nazi Party felt sufficiently strong to publicly demonstrate where their beliefs were going when Goebbels organised the first of the infamous book burning episodes. Books that did not match the Nazi ideal was burnt in public – loyal Nazis ransacked libraries to remove the ‘offending’ books. “Where one burns books, one eventually burns people” commented the author Brecht.
The same approach was used in films. The Nazis controlled film production. Films released to the public concentrated on certain issues : the Jews; the greatness of Hitler; the way of life for a true Nazi especially children, and as World War Two approached, how badly Germans who lived in countries in Eastern Europe were treated. Leni Riefenstahl was given a free hand in producing Nazi propaganda films. A young film producer, she had impressed Hitler with her ability. It was Riefenstahl who made “Triumph of Will” – considered one of the greatest of propaganda films despite its contents.
http://www.historylearningsite.co.uk/propaganda_in_nazi_germany.htm
Hollywood films quite often represent cultural propaganda.
Jonathan Chait wrote in the New York article, The Vast Left-Wing Conspiracy Is on Your Screen:
You don’t have to be an especially devoted consumer of film or television (I’m not) to detect a pervasive, if not total, liberalism. Americans for Responsible Television and Christian Leaders for Responsible Television would be flipping out over the modern family in Modern Family, not to mention the girls of Girls and the gays of Glee, except that those groups went defunct long ago. The liberal analysis of the economic crisis—that unregulated finance took wild gambles—has been widely reflected, even blatantly so, in movies like Margin Call, Too Big to Fail, and the Wall Street sequel. The conservative view that all blame lies with regulations forcing banks to lend to poor people has not, except perhaps in the amateur-hour production of Atlas Shrugged. The muscular Rambo patriotism that briefly surged in the eighties, and seemed poised to return after 9/11, has disappeared. In its place we have series like Homeland, which probes the moral complexities of a terrorist’s worldview, and action stars like Jason Bourne, whose enemies are not just foreign baddies but also paranoid Dick Cheney figures. The conservative denial of climate change, and the low opinion of environmentalism that accompanies it, stands in contrast to cautionary end-times tales like Ice Age 2: The Meltdown and the tree-hugging mysticism of Avatar. The decade has also seen a revival of political films and shows, from the Aaron Sorkin oeuvre through Veep and The Campaign, both of which cast oilmen as the heavies. Even The Muppets features an evil oil driller stereotypically named “Tex Richman.”
In short, the world of popular culture increasingly reflects a shared reality in which the Republican Party is either absent or anathema. That shared reality is the cultural assumptions, in particular, of the younger voters whose support has become the bedrock of the Democratic Party….
A trio of communications professors found that watching Will & Grace made audiences more receptive to gay rights, and especially viewers who had little contact in real life with gays and lesbians. And that one show was merely a component of a concerted effort by Hollywood—dating back to Soap in the late seventies, which featured Billy Crystal’s groundbreaking portrayal of a sympathetic gay character, through Modern Family—to prod audiences to accept homosexuality. Likewise, the political persona of Barack Obama attained such rapid acceptance and popularity in part because he represented the real-world version of an archetype that, after a long early period of servile black stereotypes, has appeared in film and television for years: a sober, intelligent African-American as president, or in some other position of power….
This capacity to mold the moral premises of large segments of the public, and especially the youngest and most impressionable elements, may or may not be unfair. What it is undoubtedly is a source of cultural (and hence political) power. Liberals like to believe that our strength derives solely from the natural concordance of the people, that we represent what most Americans believe, or would believe if not for the distorting rightward pull of Fox News and the Koch brothers and the rest. Conservatives surely do benefit from these outposts of power, and most would rather indulge their own populist fantasies than admit it. But they do have a point about one thing: We liberals owe not a small measure of our success to the propaganda campaign of a tiny, disproportionately influential cultural elite. http://nymag.com/news/features/chait-liberal-movies-tv-2012-8/
The issue is whether children in a “captive” environment have the maturity and critical thinking skills to evaluate the information contained in the ads. Advertising is about creating a desire for the product, pushing a lifestyle which might make an individual more prone to purchase products to create that lifestyle, and promoting an image which might make an individual more prone to purchase products in pursuit of that image. Many girls and women have unrealistic body image expectations which can lead to eating disorders in the pursuit of a “super model” image. What the glossy magazines don’t tell young women is the dysfunctional lives of many “super models” which may involve both eating disorders and substance abuse. The magazines don’t point out that many “glamor girls” are air-brushed or photo-shopped and that they spend hours on professional make-up and professional hairstyling in addition to having a personal trainer and stylist. Many boys look at the buff bodies of the men in the ads and don’t realize that some use body enhancing drugs. In other words, when presented with any advertising, people must make a determination what to believe. It is easy for children to get derailed because of peer pressure in an all too permissive society. Parents and schools must teach children critical thinking skills and point out often that the picture presented in advertising is often as close to reality as the bedtime fairy tail. Reality does not often involve perfection, there are warts.
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